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Post by DavidMc on Sept 16, 2006 6:05:04 GMT -6
This is where you can post your favourite poems, by published authors. From Chaucer to .... it's up to you. what would be nice if you could comment on why the poem means something for you.
Like the Lyrics thread you are welcome to continue here or start your own thread.
David
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Post by DavidMc on Sept 16, 2006 6:33:23 GMT -6
When I first read this poem I was unaware of its metaphor. I was just astonished by the spiritual depth and beauty of the writing. Later I learned the rain were bombs falling nightly on England. Death was only a dice throw away.
Still Falls the Rain (The Raids, 1940, Night and Dawn) By Edith Sitwell.
Still falls the Rain - Dark as the world of man, black as our loss- Blind as the nineteen hundred and forty nails Upon the Cross
Still falls the Rain With a sound like the pulse of the heart that is changed to the hammer-beat in the Potter's Field, and the sound of the impious feet
On the Tomb: Still falls the Rain In the Field of Blood where the small hopes breed and the human brain Nurtures its greed, that worm with the brow of Cain.
Still falls the Rain At the feet of the Starved Man hung upon the Cross. Christ that each day, each night, nails there have mercy on us- On Dives and on Lazarus: Under the Rain the sore and the gold are as one.
Still falls the Rain- Still falls the Blood from the Starved Man's wounded Side: He bears in his Heart all wounds- those of the light that died The last faint spark In the self-murdered heart, the wounds of the sad, uncomprehending dark, The wounds of the baited bear - The blind and weeping bear whom the keepers beat On his helpless flesh... the tears of the hunted hare.
Still falls the Rain- Then - O Ile leape up to my God: who pulles me doune- See, see where Christ's blood streames in the firmament: It flows from the Brow we nailed upon the tree Deep to the dying, to the thirsting heart That holds the fires of the world - dark-smirched with pain As Caesar's laurel crown.
Then sounds the voice of One who like the heart of man Was once a child who among beasts has lain- 'Still do I love, still shed my innocent light, my Blood for thee'.
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Post by DavidMc on Sept 28, 2006 15:56:02 GMT -6
This is another poem where I was simply stunned. I knew then I wanted to aspire to this astonishing beauty.
Prayer Before Birth Louis Macniece I am not yet born; O hear me. Let not the bloodsucking bat or the rat or the stoat or the club-footed ghoul come near me.
I am not yet born, console me. I fear that the human race may with tall walls wall me, with strong drugs dope me, with wise lies lure me, on black racks rack me, in blood-baths roll me.
I am not yet born; provide me With water to dandle me, grass to grow for me, trees to talk to me, sky to sing to me, birds and a white light in the back of my mind to guide me.
I am not yet born; forgive me For the sins that in me the world shall commit, my words when they speak me, my thoughts when they think me, my treason engendered by traitors beyond me, my life when they murder by means of my hands, my death when they live me.
I am not yet born; rehearse me In the parts I must play and the cues I must take when old men lecture me, bureaucrats hector me, mountains frown at me, lovers laugh at me, the white waves call me to folly and the desert calls me to doom and the beggar refuses my gift and my children curse me.
I am not yet born; O hear me, Let not the man who is beast or who thinks he is God come near me.
I am not yet born; O fill me With strength against those who would freeze my humanity, would dragoon me into a lethal automaton, would make me a cog in a machine, a thing with one face, a thing, and against all those who would dissipate my entirety, would blow me like thistledown hither and thither or hither and thither like water held in the hands would spill me.
Let them not make me a stone and let them not spill me. Otherwise kill me.
Louis Macneice
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Post by DavidMc on Nov 1, 2006 2:30:11 GMT -6
When You Are Oldby: William Butler Yeats (1865-1939)When you are old and grey and full of sleep, And nodding by the fire, take down this book, And slowly read, and dream of the soft look Your eyes had once, and of their shadows deep; How many loved your moments of glad grace, And loved your beauty with love false or true, But one man loved the pilgrim soul in you, And loved the sorrows of your changing face; And bending down beside the glowing bars, Murmur, a little sadly, how Love fled And paced upon the mountains overhead And hid his face amid a crowd of stars. www.poetry-archive.com/y/yeats_w_b.html
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Post by soulfir3 on Nov 1, 2006 16:18:11 GMT -6
When I was in Year 10, I was required to find and memorise a poem for an English assessment. Having always been a fan of Rudyard Kipling, when I found this piece I was awed by it's intensity and the effect it had (and still has) on me . It is definately one of my all time favourites.
The Gift of the Sea
The dead child lay in the shroud, And the widow watched beside; And her mother slept, and the Channel swept The gale in the teeth of the tide. But the mother laughed at all. "I have lost my man in the sea, And the child is dead. Be still," she said, "What more can ye do to me?" The widow watched the dead, And the candle guttered low, And she tried to sing the Passing Song That bids the poor soul go. And "Mary take you now," she sang, "That lay against my heart." And "Mary smooth your crib to-night," But she could not say "Depart." Then came a cry from the sea, But the sea-rime blinded the glass, And "Heard ye nothing, mother?" she said, "'Tis the child that waits to pass." And the nodding mother sighed: "'Tis a lambing ewe in the whin, For why should the christened soul cry out That never knew of sin?" "O feet I have held in my hand, O hands at my heart to catch, How should they know the road to go, And how should they lift the latch?" They laid a sheet to the door, With the little quilt atop, That it might not hurt from the cold or the dirt, But the crying would not stop. The widow lifted the latch And strained her eyes to see, And opened the door on the bitter shore To let the soul go free. There was neither glimmer nor ghost, There was neither spirit nor spark, And "Heard ye nothing, mother?" she said, "'Tis crying for me in the dark." And the nodding mother sighed: "'Tis sorrow makes ye dull; Have ye yet to learn the cry of the tern, Or the wail of the wind-blown gull?" "The terns are blown inland, The grey gull follows the plough. 'Twas never a bird, the voice I heard, O mother, I hear it now!" "Lie still, dear lamb, lie still; The child is passed from harm, 'Tis the ache in your breast that broke your rest, And the feel of an empty arm." She put her mother aside, "In Mary's name let be! For the peace of my soul I must go," she said, And she went to the calling sea. In the heel of the wind-bit pier, Where the twisted weed was piled, She came to the life she had missed by an hour, For she came to a little child. She laid it into her breast, And back to her mother she came, But it would not feed and it would not heed, Though she gave it her own child's name. And the dead child dripped on her breast, And her own in the shroud lay stark; And "God forgive us, mother," she said, "We let it die in the dark!"
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Post by DavidMc on Feb 20, 2007 5:08:21 GMT -6
O Tell Me The Truth About Love
W.H. Auden
Some say that love's a little boy, And some say it's a bird, Some say it makes the world go round, And some say that's absurd, And when I asked the man next-door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do.
Does it look like a pair of pajamas, Or the ham in a temperance hotel? Does it's odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love.
Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway-guides.
Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love.
I looked inside the summer-house; it wasn't ever there: I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed.
Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all it's time at the races, Or fiddling with pieces of string? Has it views of it's own about money? Does it think Patriotism enough? Are its stories vulgar but funny? O tell me the truth about love.
When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my shoes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
W.H. Auden
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Post by anirbas on Feb 22, 2007 8:11:11 GMT -6
Enjoyed reading through this thread, folks! Thanks for sharing! ;D
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Post by DavidMc on May 27, 2007 3:21:52 GMT -6
UNDER MILK WOOD by Dylan Thomas This is a wonderful prose poem and really needs to be heard rather than read, and for me there is no greater rendition than the 1963 BBC version read by Dylans fellow Welsh compatriot Richard Burton. Below is the link www.undermilkwood.net/prose_undermilkwood.html
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Post by DavidMc on Jun 10, 2007 11:54:36 GMT -6
Who said Poets don't sell? I read somewhere recently that Rod McKuen has sold around 65 million volumes of poetry!
A Cat Named Sloopy Rod McKuen In memory of my late fat cat Pashosh.
1 For a while the only earth that Sloopy knew was in her sandbox. Two rooms on Fifty-fifth Street were her domain. Every night she'd sit in the window among the avocado plants waiting for me to come home (my arms full of canned liver and love). We'd talk into the night then contented but missing something, She the earth she never knew me the hills I ran while growing bent.
Sloopy should have been a cowboy's cat with prairies to run not linoleum and real-live catnip mice. No one to depend on but herself.
I never told her but in my mind I was a midnight cowboy even then. Riding my imaginary horse down Forty-second Street, going off with strangers to live an hour-long cowboy's life, but always coming home to Sloopy, who loved me best.
2 A dozen summers we lived against the world. An island on an island. She'd comfort me with purring I'd fatten her with smiles. We grew rich on trust needing not the beach or butterflies I had a friend named Ben Who painted buildings like Roualt men. He went away. My laughter tired Lillian after a time she found a man who only smiled. Only Sloopy stay and stayed.
Winter. Nineteen fifty-nine. Old men walk their dogs. Some are walked so often that their feet leave little pink tracks in the soft gray snow.
Women fur on fur elegant and easy only slightly pure hailing cabs to take them round the block and back. Who is not a love seeker when December comes? even children pray to Santa Claus. I had my own love safe at home and yet I stayed out all one night the next day too.
3 They must have thought me crazy screaming Sloopy Sloopy as the snow came falling down around me.
I was a madman to have stayed away one minute more than the appointed hour. I'd like to think a golden cowboy snatched her from the window sill, and safely saddlebagged she rode to Arizona. She's stalking lizards in the cactus now perhaps bitter but free.
I'm bitter too and not a free man any more.
Once was a time, in New York's jungle in a tree, before I went into the world in search of other kinds of love nobody owned me but a cat named Sloopy.
Looking back perhaps she's been the only human thing that ever gave back love to me.
A Cat Named Sloopy is from the book "Listen To The Warm" published by Random House. Copyright Rod McKuen 1963-1967.
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Post by DavidMc on Aug 19, 2009 11:48:49 GMT -6
Philip Larkin - This Be The Verse
They fuck you up, your mum and dad. They may not mean to, but they do. They fill you with the faults they had And add some extra, just for you.
But they were fucked up in their turn By fools in old-style hats and coats, Who half the time were soppy-stern And half at one another's throats.
Man hands on misery to man. It deepens like a coastal shelf. Get out as early as you can, And don't have any kids yourself.
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